THE PROPERTY OF A LADY
A GEORGE III ORMOLU-MOUNTED MAHOGANY AND TORTOISESHELL LONGCASE CLOCK

Details
A GEORGE III ORMOLU-MOUNTED MAHOGANY AND TORTOISESHELL LONGCASE CLOCK
THE MOVEMENT AND HOOD BY JUSTIN VULLIAMY

The tortoiseshell-veneered balloon-shaped hood mounted with floral garlands, laurel-entwined and red silk-lined openwork central panel and conforming panels to the sides, surmounted by a swag-bound and acanthus-wrapped urn-shaped finial, on acanthus upturned scrolled feet, the circular cream-painted Roman and Arabic dial with blued steel beetle and poker hands, the movement signed Just. Vulliamy Lo ndon on the backplate with six tapered pillars, deadbeat escapement having fine adjustment screw to the pallets, Harrison-type maintaining power, rack strike on gong, the pendulum suspended from the backboard with fine adjustment calibrated sphere beneath the bob, wood rod replaced, the pedestal case with recessed central panelled door bordered with gilt-gesso stiff-leaf motifs and foliage entwined around a central stem with urn and garlands, conforming decoration to the sides, surmounted by a central ribbon-band flowerhead and further scrolls, the spreading base with foliate and laurel-tied gilt border above a central roundel and further gilt borders, losses to the gilt-gesso decoration, the pedestal case later
92in. (234cm.) high

Lot Essay

A closely related clock was sold anonymously, in these Rooms, 8 July 1993, lot 6.
François Justin Vulliamy was born in Switzerland in 1712 in the Pays de Vaud, most probably from a family engaged in some aspect of horological manufacturing. He met Benjamin Gray in 1730 when he came to London from Paris in order to enlarge his horological experience, especially in relation to the cylinder escapement. The friendship led to a business partnership in 1743. François Justin Vulliamy married Gray's only daughter, Mary Gray, in 1746. From then on Vulliamy used the finest craftsmen available and this can be seen in a closely related three-train quarter-chiming balloon clock (in the Royal Collection) veneered in tortoiseshell and as richly mounted as this clock. It is interesting to note that in that case, the mounts and paw feet as well as the openwork panels, are probably the work of Matthew Boulton (1728-1809)

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