細節
Agostino Carracci
Apollo and the Python (B. 122; Bohlin 154)
etching with engraving, circa 1590, third (final) state, trimmed within the borderline at the lower edge, trimmed to just outside the borderline at three edges, four made-up areas at the right edge touched in with grey wash or pen and black ink, affecting the woman and tree at the right, some tears and discolouration, other defects, laid, framed, P. 9 5/16 x 13 7/16in. (237 x 342mm.); Stage Design, after F. Santurini by M. Küsel, etching with engraving; Operational Reform or La Dance a l'Eveque, by J. Gillray (B.M. 9298), etching; Stage Design, after M. Chiarini, etching; Entrée de l'Amour et de la Richesse aux Noces de Gamache, after C. Coypel by M.B. Cochin, engraving; Die über die Sieger Siegen de Liebe, after L. Burnacini by P.G. Pinz, engraving with handcolouring; Palais d'Apollon, by D. Marot, etching; and two other stage designs, etchings(9 in 9 frames)
Apollo and the Python (B. 122; Bohlin 154)
etching with engraving, circa 1590, third (final) state, trimmed within the borderline at the lower edge, trimmed to just outside the borderline at three edges, four made-up areas at the right edge touched in with grey wash or pen and black ink, affecting the woman and tree at the right, some tears and discolouration, other defects, laid, framed, P. 9 5/16 x 13 7/16in. (237 x 342mm.); Stage Design, after F. Santurini by M. Küsel, etching with engraving; Operational Reform or La Dance a l'Eveque, by J. Gillray (B.M. 9298), etching; Stage Design, after M. Chiarini, etching; Entrée de l'Amour et de la Richesse aux Noces de Gamache, after C. Coypel by M.B. Cochin, engraving; Die über die Sieger Siegen de Liebe, after L. Burnacini by P.G. Pinz, engraving with handcolouring; Palais d'Apollon, by D. Marot, etching; and two other stage designs, etchings(9 in 9 frames)