Lot Essay
For an inlaid and iron-coated celadon bottle see Itoh Ikutaro, ed., Yuen no iro shitsuboku no katachi Rhee Byung-chang korekushon kankoku toji no bi/Color of Elegance, Form of Simplicity: The Beauty of Korean Ceramics from the Byung-chang Rhee Collection, exh. cat. (Osaka: Museum of Oriental Ceramics, 1999), pl. 41; for maebyong of the same technique see Rhee, Byung-chang, Korai to/Koryo Ceramics in Kankoku bijutsu shusen/Masterpieces of Korean Art (Tokyo: Privately published, 1978), pls. 304-6, 311-14; Itoh Ikutaro and Yutaka Mino, eds., The Radiance of Jade and the Clarity of Water: Korean Ceramics from the Ataka Collection, exh. cat. (Chicago: The Art Institute, 1991), pls. 27, 29; Koyama Fujio, ed., Chosen jodai, korai hen (Ancient Korea, Koryo), vol. 13 of Sekai toji zenshu/Collection of World's Ceramics (Tokyo: Zauho and Kawade Shobo, 1961), pl. 19, nos. 132-33, figs. 203-7; Korai seiji e no izanai/An Introduction to Koryo Celadon, exh. cat. (Osaka: Museum of Oriental Ceramics, 1992), pls. 134-38; Korai bijutsukan kaikan kinen zuroku/Illustrated catalogue of the inaugural exhibition, Koryo Museum of Art, exh. cat. (Kyoto: Koryo Museum of Art, 1988), no. 9; Choi Sunu, Chunja (Celadon), vol. 4 of Hanguk eui mi (Korea's beauty) (Seoul: Joong Ang Ilbo Sa, 1981), pls. 176-78.
Two other iron-coated and inlaid maebyong sold in these Rooms, 24 April, 1997, lot 12 and 31 October, 1996, lot 19.
Two other iron-coated and inlaid maebyong sold in these Rooms, 24 April, 1997, lot 12 and 31 October, 1996, lot 19.
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