Mark Gertler (1891-1939)

Details
Mark Gertler (1891-1939)

Black and White Cottage

signed and dated lower left Mark Gertler 1914, oil on canvas
20¼ x 14in. (51.5 x 35.5cm.)
Provenance
The Mayor Gallery, London
Leicester Galleries, London
Lady Hamilton, by whom given to Violet Asquith (1887-1969) on her marriage to Sir Maurice Bonham Carter in December 1915
Literature
N. Carrington (ed.) Selected Letters, London, 1965, pp.73, 107, pl.5
J. Woodeson, Mark Gertler, London, 1972, pp.145, 169, 204, 342, 364, pl.24
J. Lomax (foreword), Mark Gertler Paintings and Drawings, Camden Arts Centre Exhibition Catalogue, London, 1992, p.79, pl.73
Exhibited
London, N.E.A.C., Winter Exhibition, Nov. 1914, no.110
London, Whitechapel Art Gallery, Mark Gertler Memorial Exhibition, June-July 1949, no.21
Colchester, The Minories, Mark Gertler, 1971, no.12: this exhibition travelled to London, Morley College; Oxford, Ashmolean Museum; and Sheffield, Graves Art Gallery

Lot Essay

The present work is Gertler's first mature landscape, painted at Pett Level near Hastings during the summer of 1914, and considered by the artist to be 'one of the best things I've done'. The work was executed during the height of Gertler's relationship with the artist Dora Carrington and he wrote to her on a Sunday in 1914 from Hastings: 'I am working hard here ... only doing landscape as yet... the first landscape which is nearly finished is of a black and white cottage against a dull sky - silver and lead. The foreground consists of a golden elder seen through another plant, called pampas grass. The picture finishes up at the bottom with a dark green gate and fence. The scene, as it is in nature, is most beautiful'. He wrote to Carrington on a Sunday in December 1915 from his studio in Hampstead to proclaim: 'Lady Cunard assures me I am 'the talk of London'. Also my little picture the 'Black and White Cottage' was given as a wedding present to Violet Asquith by Lady Hamilton. It hung among the presents at Downing Street 'where it was much admired'. 'What fame! What success!''. (see N. Carrington, loc. cit.)

More from Modern British Pictures

View All
View All