THE PROPERTY OF A LADY OF TITLE
A CHARLES II SILVER TOILET SERVICE

Details
A CHARLES II SILVER TOILET SERVICE
MAKER'S MARK OF ANTHONY NELME, LONDON, 1683, THE PINCUSHION, 1691, THE MIRROR, 1691, THE CRESTING 1690

Comprising an octagonal casket on four openwork scroll feet, two square boxes with cut corners and two small boxes similar a pair of baluster-shaped toilet jars with detachable covers and baluster finials, an octagonal pin cushion of four scroll feet and a toilet mirror, the corners applied with foliage and with cherub and scroll cresting, each engraved with a coat-of-arms and crest, the toilet jar covers, the box and mirror sides each engraved with a plumed helmet, the caskets and boxes marked on bases and covers, the jars with makers' mark on bases only, the cover unmarked, the pin cushion marked on side, the mioor marked on sides and crest
the mirror 24½in. (62.5cm.) high
the casket 9¾in. (24.8cm.) long
the boxes 5in. (12.6cm.) and 3¼in. (8.2cm.) square
the pin cushion 6½in. (16.5cm.) long
the toilet jars 2¾in. (7cm.) high

The arms are those of Edwards (9)
Provenance
Frances Edwards, daughter and co-heir of John Edwards of Bristol and thence by descent to her third son
Sir Thomas Francis Freemantle G.C.B., (1765-1819), Vice-Admiral of the Blue, and then by descent to the present owner

Lot Essay

Anthony Nelme (c.1660-1722) was the most prominent of the native English craftsmen to have an established practice before the arrival of the Huguenot silversmiths following the Revocation of the Edict of Nantes in 1685. Commissions came from private clients, the government and the Royal Household including a pair of massive silver-gilt altar candlesticks for St. George's Chapel, Windsor in 1694. Although he was one the signatures of a petition in 1697 protesting that English silversmiths were making use of foreign craftsmen, it is ironic that much of his work, particularily that made during the early years of the 18th century show a strong French influence. An example of such pieces are a pair of ornate pilgrim bottles of 1715, applied with heavy strapwork, in the collection of The Duke of Devonshire, Chatsworth.

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