Lot Essay
The heavy-lidded eyes and fluttering treatment of the drapery evident in the present group suggest a Flemish baroque origin, and may be compared to such pieces as the terracotta Magdalene, attributed to Thomas Quellin in the exhibition La Sculpture au siècle de Rubens (Brussels, Musée d'Art Ancien, 15 Jul. - 2 Oct. 1977, no. 132).