THE PROPERTY OF A GENTLEMAN (Lots 2-3) The Currie collection was formed by Bertram Currie between 1877-90. Divided between his four houses, Minley Manor, Coombe Warren, Bertram Wodehouse and No. 1 Richmond Terrace - where Gladstone resided following the fall of his second administration - this eclectic collection embraced everthything from Dresden China, English portraits and clocks and Italian old masters, to the French decorative Arts of the 18th Century. Bought at such great sales as Hamilton Palace in 1882 and Blenheim Palace in 1886, as the privately printed 1909 catalogues of Coombe Warren and Richmond Terrace reveal, Currie's taste ranged from Louis XIV and Louis XVI 'Buhl', to Louis XV ormolu-mounted porcelain (including a pair of vases from Hamilton Palace) and bronzes d'ameublement
AN ITALIAN ORMOLU, EBONISED AND SIENA MARBLE DESK SET

Details
AN ITALIAN ORMOLU, EBONISED AND SIENA MARBLE DESK SET
MID-18TH CENTURY

The three grotesque figures playing blind-man's buff, on a shaped rectangular base with moulded ebonised plinth, the marble broken, the base possibly later 18th early 19th Century
15½in. (40cm.) wide (3)
Provenance
The Currie Collection at Minley Manor, Coombe Warren, Bertram Wodehouse and Richmond Terrace
Thence by descent

Lot Essay

These blind man's buff groteschi are inspired by Jacques Callot's (d. 1635) celebrated series of engravings, 'Varie figure Gobbi di Iacopo Callot fatto in firenza Ianno 1616'. First depicted on pietra dura panels executed by Bacino del Bianco in the Opificio delle Pietra Dure, Florence (for instance the panel illustrated in A-M. Giusti, Pietre Dure, London, 1992, fig. 106, which mirrors Callot's engraving of 'Le Joueur de flageolet'), Callot's engravings enjoyed a huge revival in the 18th Century with the publication of such volumes as W. Koning's Il Callotto Resuscitato oder Neu-eingerichtetes Zwerchen Cabinett, Amsterdam, 1716. This fashion for dwarfs and groteschi ranged from Meissen porcelain and marquetry inlay, to marzipan moulds and garden statuary (for instance the lead figure of a dwarf at Longleat House, Wiltshire). With its ebonised and inset siena marble base, this desk-set was probably executed in Italy, as this form of base is shared with Italian bronzes acquired during the Grand Tour in the 18th Century. It is therefore of interest to note that the Flemish sculptor Walther Pompe (1703-77) was producing similar figures in his workshop in Italy

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