Details
No Description
Provenance
The Convent of Santa Chiara, San Miniato al Tedesco
Charles Loeser, Florence, 1908
Paolini, Florence, 1917-18
Professor Raffaele Bastianelli, Rome
Achillito Chiesa, Milan; sale, American Art Association, New
York, 27 Nov. 1925, lot 54
Mr. and Mrs. Samuel L. Fuller, New York and Martha's Vineyard, Massachusetts; (+) Sotheby's, New York, 11 June 1981, lot 107, as Niccolò di Segna
Charles Loeser, Florence, 1908
Paolini, Florence, 1917-18
Professor Raffaele Bastianelli, Rome
Achillito Chiesa, Milan; sale, American Art Association, New
York, 27 Nov. 1925, lot 54
Mr. and Mrs. Samuel L. Fuller, New York and Martha's Vineyard, Massachusetts; (+) Sotheby's, New York, 11 June 1981, lot 107, as Niccolò di Segna
Literature
F. Mason Perkins, Ancora dei dipinti sconsciuti della scuola senese, Rassegna d'Arte Senese, IV, 1908, fasc.i, p.7
J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, ed. L. Douglas, III, 1908, p.28, note 1 'an early work of Segna, probably executed in the bottega of Duccio'
R. van Marle, The Development of the Italian Schools of Painting, II, 1924, p.153 and p.149, fig.100 (in overpainted state), as School of Segna di Buonaventura
G. DeNicola, Duccio di Buoninsegna and His School in the Mostra di Duccio at Siena, The Burlington Magazine, XXII, 1912, p.146 and pl.IID, as Segna di Buonaventura in the text and Niccolò di Segna in the caption to the illustration
C. Weigelt, Sienese Painting of the Trecento, 1930, p.72, note 32, as Workshop of Duccio
C. Brandi, Duccio, 1951, p.156, as Workshop of Duccio
B. Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, 1968, I, p.119, under 'Duccio's Contemporary Imitators and Immediate Followers'
J. H. Stubblebine, Duccio di Buoninsegna and His School, 1979, I, p.140, and II, fig.335, as an early work by Niccolò di Segna, c.1325-30
J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, ed. L. Douglas, III, 1908, p.28, note 1 'an early work of Segna, probably executed in the bottega of Duccio'
R. van Marle, The Development of the Italian Schools of Painting, II, 1924, p.153 and p.149, fig.100 (in overpainted state), as School of Segna di Buonaventura
G. DeNicola, Duccio di Buoninsegna and His School in the Mostra di Duccio at Siena, The Burlington Magazine, XXII, 1912, p.146 and pl.IID, as Segna di Buonaventura in the text and Niccolò di Segna in the caption to the illustration
C. Weigelt, Sienese Painting of the Trecento, 1930, p.72, note 32, as Workshop of Duccio
C. Brandi, Duccio, 1951, p.156, as Workshop of Duccio
B. Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, 1968, I, p.119, under 'Duccio's Contemporary Imitators and Immediate Followers'
J. H. Stubblebine, Duccio di Buoninsegna and His School, 1979, I, p.140, and II, fig.335, as an early work by Niccolò di Segna, c.1325-30