Details
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Provenance
The set of eight commissioned by Gillow & Co., Oxford Street, London for the Exposition Universelle of 1878. Sold that year to Sir Alfred Sassoon, Bt., MP, for #1,750 for his dining room at 25 Kensington Gore, London.

Probably sold in 1912 by Sir Philip Sassoon, Bt., MP, (grandson of Sir Albert) to Messrs. Vincent Robinson & Co. Ltd., Oriental Carpet Merchants of 34 Wigmore Street, London. In 1920 Robinsons sold seven tapestries from this series to Colonel H.K. Stephenson DSO, MP, of Banner Cross Hall, Sheffield. This tapestry, the eighth in the Gillow series was not among those sold and has not been recorded with certainty since the 1880's. It would seem likely that Robinsons sold it separately between 1912 and 1920. The other seven were sold in these Rooms, 15 March 1989, lots 223, 225 and 227 and 23 February 1989, lots 26-29.
Literature
Furniture Gazette, 26 January and 7 September 1878
Windsor, Eton & Slough Express, 7 December 1878
Windsor Express, 9 November 1878
Art Journal, 1879, p.64
G.G. Cullingham, The Royal Windsor Tapestry Manufactory, 1876-1890 an illustrated handlist, 1979, pages 17 to 27
Beryl Platts, 'A Brave Victorian Venture, The Royal Windsor Tapestry Manufactory', in Country Life, 29 November 1979, pp2003-2006
Exhibited
Exposition Universelle, 1878, Paris. Gold Medal. The complete set (see note below) was hung in the Dining-Saloon of the Prince of Wales's Suite in the British Pavilion.
Windsor Guildhall, December 1878.

Lot Essay

The Old Windsor Tapestry Manufactory was established in 1876 with weavers from Aubusson with English apprentices. The Queen and royal family took a keen interest. In 1880 Prince Leopold accepted the presidency and the Queen became Patron; consequently the manufactory became the Royal Windsor Tapestry Manufactory (R.W.T.M.). In the later 1880's its fortunes declined as did the royal patronage. It closed in 1890 and its stock was sold in 1895.

Messrs. Gillow & Co. of Oxford Street, London probably commissioned the first known Windsor Tapestry entitled 'Queen Victoria' in 1876. Probably with the Paris Exposition Universelle of 1878 in mind, they then commissioned a further either tapestries depicting scenes from Shakespeare's The Merry Wives of Windsor. These were designed by one of their own artists, T.W. Hay, and bear his signature along with the names or initials of Henri C.J. Henry and Michel Brignolas; the former was the first Director and promoter of the R.W.T.M., having previously been the art director at Gillows, the latter was an emigré who became the first tapissier manager and dyer (in 1877 Brignolas recorded that 5,000 shades had been produced for the work in progress, namely 'The Merry Wives of Windsor).

The numbering on the Merry Wives of Windsor is from No.2-No.9, No.1 being Queen Victoria (now owned by the Victoria and Albert Museum [Gallery 95, Textiles]).

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