Details
Pietro Francesco Alberti (1584-1638)
The Academy (B. XVII, 1)
etching, circa 1620, watermark double-encircled Fleur-de-Lys with Mounds (H. 1623, dated 1647 and 1674), trimmed unevenly into the subject removing the inscriptions below, a central vertical fold (soiled on the reverse), a horizontal crease and two printer's creases, a small repair on the coat of the figure standing beside the door at the left, a stain centre right, some thin spots at the right, some staining S. 401 x 517 mm,; A Sacrifice, By G. Zelotti (Le B. 1); and Christ and the Woman of Samaria, by C. Maratta (B. 7) (3)
The Academy (B. XVII, 1)
etching, circa 1620, watermark double-encircled Fleur-de-Lys with Mounds (H. 1623, dated 1647 and 1674), trimmed unevenly into the subject removing the inscriptions below, a central vertical fold (soiled on the reverse), a horizontal crease and two printer's creases, a small repair on the coat of the figure standing beside the door at the left, a stain centre right, some thin spots at the right, some staining S. 401 x 517 mm,; A Sacrifice, By G. Zelotti (Le B. 1); and Christ and the Woman of Samaria, by C. Maratta (B. 7) (3)