Cornelis Bisschop (1630-1674)

细节

Cornelis Bisschop (1630-1674)

Young Bacchanalian Revellers with a Goat in a Landscape

unframed

33 x 25 5/8in. (83.8 x 65cm.)

来源

Comte Cavens, Brussels, 1915
with Goudstikker, Amsterdam
Dr. Hans Wetzlar, Amsterdam
Dr. E. I. Shapiro, London; (+) Christie's, 30 Nov. 1979, lot 6

出版

C. Hofstede de Groot, A Catalogue Raisonné, etc., VI, 1916, p.503, no.96, 'It is attributed to Rembrandt, but seems to the author to be by Maes'
W. R. Valentiner, Nicolaes Maes, 1924, pp.11-12 and pl.9 H. Wichmann, Review of W. R. Valentiner's 'Nicolaes Maes', Cicerone, XVI, 1924, p.778
A. Bredius, The Burlington Magazine, XLVI, 1925, p.143
W. Stechow, Review of W. R. Valentiner's 'Nicolaes Maes', Göttingische Gelehrte Anzeigen, 1925, p.149
H. Wichmann, Nicolaes Maes, in the Thieme-Becker Künstler-Lexikon, XXIII, 1929, pp.546-7
E. Plietzch in W. von Bode, Die Meister der holländischen und
flämischen Malerschulen, ed. E. Plietzsch, 1958, p.77, note 1
W. Sumowski, Gemälde der Rembrandt-Schüler, III, 1983, p.1965, no.64, illustrated p.1985

展览

Dordrecht, Museum, Nicolaes Maes, 1934, no.1 London, Matthiesen, Rembrandt's Influence in the 17th Century,
1953, no.50, illustrated

拍品专文

Hofstede de Groot's attribution of the present picture to Nicolaes Maes has been widely accepted until recently, although as early as 1925 doubts were expressed by Bredius; the attribution to Bisschop, with whom Maes' work has frequently been confused, is due to Professor Werner Sumowski (loc. cit.)