拍品專文
In 1864, the South Kensington Museum purchased their second piece of faïence de Saint-Porchaire, both reflecting and contributing to popular interest in the pottery of the Renaissance. Minton was not slow to exploit this and to produce copies; Charles Toft worked for almost all of his fifteen years at Minton on these wares. Cf. Paul Atterbury and Maureen Batkin, eds., op. cit., p. 312, for a similar salt. For a discussion of these wares, see Paul Atterbury, 'Too Good to be True?', Country Life, June 14, 1990. A St. Porchaire example sold in these Rooms, 13 March 1989, lot 207