A GEORGE III MAHOGANY TALLBOY with moulded rectangular broken pediment cornice centred by a pedestal with foliate carving above a greek-key moulding and two short and two graduated long drawers above a fitted secretaire drawer with bramah lock, the rounded angles with open fretwork above rustication, the base with three graduated long drawers on ogee-bracket feet, the fretwork angles possibly later carved, the feet moved

Details
A GEORGE III MAHOGANY TALLBOY with moulded rectangular broken pediment cornice centred by a pedestal with foliate carving above a greek-key moulding and two short and two graduated long drawers above a fitted secretaire drawer with bramah lock, the rounded angles with open fretwork above rustication, the base with three graduated long drawers on ogee-bracket feet, the fretwork angles possibly later carved, the feet moved
48½in. (123cm.) wide; 88in. (223.5cm.) high; 23¼in. (59cm.) deep

Lot Essay

The unusual pierced fretwork columnar canted corners relate to the wardrobe in the V & A ill. in H. D. Molesworth, Three Centuries of Furniture, 1969, fig.267, while the provincial classical rustication, bracket feet and use of both pierced and blind fretwork suggest a North Country origin, and can be compared with cases produced in the last quarter of the 18th Century in the 'Lancashire Chippendale' style (cf. a longcase clock ill. in T. Robinson, The Longcase Clock, London, 1982, p.325, fig.10/60). The swagged neo-classical handle in the French manner is taken from published designs of 1770-80 now in the V & A, illustrated in N. Goodison, Metal-work Pattern Books, FHS, 1975, pp.1-30, fig.22.

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