Thomas Cole, unnumbered, circa 1850-55: A Victorian engraved giltmetal, malachite and lapis lazuli miniature chiffonier mantel timepiece

细节
Thomas Cole, unnumbered, circa 1850-55: A Victorian engraved giltmetal, malachite and lapis lazuli miniature chiffonier mantel timepiece
The case on screwed bun feet supporting reeded outset angles with foliate finials, the side panels engraved on the left with a cherub playing amongst flowering scrolls and the right with a sprite within similar foliage, the front with two foliate engraved doors set with malachite in cartouche outline opening to reveal the movement cover engraved with drawers and a cupboard with apertures for wind, hand-set and regulation, the lapis-set key drawer above engraved on the inside with a sprite letting a cat out of a bag, the glazed top pierced-out and engraved with two knights on horse back, the reverse engraved in high relief with a man being attacked by a stag on a hatched ground within scrolling foliage and engraved above with a devil playing with a horse, the circular engraved silver Roman dial with blued moon hands with indirect drive from the four pillar single chain fusee 8-day movement with maintaining power, the underslung platform lever movement with plain steel balance and blued hair spring; with original double-ended cruciform key (2)

拍品专文

Thomas Cole 1800-1864; joined his brother James Fergusson Cole at No. 3 New Bond Street in 1823 untill setting up on his own in 1838 at No. 11 Upper King Street. In 1845 he and his wife Charlotte moved to 2 Upper Vernon Street in Clerkenwell and called himself 'designer and maker of ornamental clocks'.
The 1851 Great Exhibition presented Thomas Cole with his first opportunity to publicise his work which included six unusual clocks, two of which were set with malachite. He continued to exhibit in the 1855 Paris Exhibition and in the 1862 London Exhibition where the Jury, led by Charles Frodsham, awarded Thomas Cole a special medal 'for excellence of taste and design'. In the official report the stand received yet more praise '...nothing could exceed the beauty of design and good taste of varied models and general excellence of workmanship. The foreign visitors seem all of them to have accorded the palm and were anxious buyers of his beautiful works'. How little things have changed!
Cole seems to have made a small number of these clocks in the form of a chiffonier however this particular model with longer than usual duration movement and exquisite engraving would appear to be of higher than usual quality