THE PROPERTY OF A LADY
A FRANCO-FLEMISH MILLE-FLEURS PASTORAL TAPESTRY FRAGMENT

Details
A FRANCO-FLEMISH MILLE-FLEURS PASTORAL TAPESTRY FRAGMENT
LATE 15TH EARLY 16TH CENTURY

Woven in wools and silks, depicting a maiden holding a staff and gesturing to Nicholas, the shepherd, holding a staff and with a sheep to the left, within a background of scattered flowers, with inscription to the top comet nicholas le boucher oit et... ...treffort qui les poures decs salle, within a later red and yellow border, areas of re-weaving and patching
57in. x 75in. (144cm. x 190cm.)

Lot Essay

Mille-fleurs tapestries are believed to have been generally woven around 1500. The wide variations in quality, the relative short period in which they were produced and the number of pieces known indicate that there were a number of different workshops that made these tapestries. A precise location of manufacture has as yet not been identified with certainty, although it is generally believed to be from Southern Netherlands.

A number of mille-fleurs tapestries are known to include scenes of courtly life (hunts, falconry, cavalcades and concerts). This tapestry forms part of a group illustrating the romanticised life of shepherds. A related tapestry of a shepherd with two maidens and various sheep and other animals is in the Metropolitan Museum of Art, New York, and is illustrated in A.S. Cavallo, Medieval Tapestries in The Metropolitan Museum of Art, New York, 1993, p. 480, fig. 34, while a further tapestry with similarly drawn sheep, a shepherd and a maiden and with various inscriptions is in the Musée des Gobelins, Paris, and illustrated in R.-A. Weigert, French Tapestry, London, 1962, plate XXIII.

A related mille-fleurs tapestry from the series of the five senses was sold by the Hon. Lady Baillie, Sotheby's London, 13 December 1974, lot 224, while a further example of a courtly lady with a boy falconer in the background was sold anonymously in these Rooms, 2 July 1981, lot 10

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