WANG GAI (17TH CENTURY). Jiezi yuan huazhuan. "The Mustard Seed Garden Painting Manual". Preface by Li Yu (1611-c. 1680). China: 18th/19th Century. 5 ben, 257 x 162mm.. Irregular columns, characters (punctuated and with some annotation in red ink); full-page illustrations, those in ben 5 coloured. Stitched binding (xian zhuang); original wrappers soiled. Two collector's seals in vermilion ink. The first edition was published in Nanjing in 1679.

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WANG GAI (17TH CENTURY). Jiezi yuan huazhuan. "The Mustard Seed Garden Painting Manual". Preface by Li Yu (1611-c. 1680). China: 18th/19th Century. 5 ben, 257 x 162mm.. Irregular columns, characters (punctuated and with some annotation in red ink); full-page illustrations, those in ben 5 coloured. Stitched binding (xian zhuang); original wrappers soiled. Two collector's seals in vermilion ink. The first edition was published in Nanjing in 1679.

WANG GAI, WANG SHI AND WANG NIE (ALL 17TH CENTURY). Jiezi yuan huazhuan erji. "Mustard Seed Garden Painting Manual, Second Series". China:18th/19th-century. 4 ben in 1 tao, 262 x 169mm. 9 columns of 20 characters; full-page illustrations, some coloured. Stitched binding (xian zhuang). The tao soiled and worn. A reprint of the second edition, published in Suzhou in 1782; the first edition was published in Nanjing in 1701. (6)

Lot Essay

The "Mustard Seed Garden Painting Manual" is considered to be one of the most influential treatises on painting from the early Qing period. It is also noted for its many fine woodblock illustrations of brush technique, landscape and figure painting, some of which were coloured. The first part was composed in 1679 by the literatus painter Wang Gai with the help of the novelist and connoisseur Li Yu (1611-c.1688), who wrote the preface, and his son-in-law Shen Xinyou who published the manual. The second and third parts, composed with the help of Wang Gai's brothers, Wang Shi and Wang Nie, were published in 1701 in both Hangzhou and Nanjing. This was followed by the well-known Qianlong edition of 1782, published in Suzhou, and the Jiaqing edition of 1800. Several fine reprints were published in the 19th Century in both China and Japan.

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