A PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS, each with arched eared rectangular padded back and slightly serpentine seat, the ourward scrolling arms with acanthus-carved terminals, the waved seat-rail centred by a rockwork cartouche and carved with acanthus, on cabriole legs headed by scrolls and acanthus, on scroll feet, one upholstered in white cotton and with one front foot largely replaced in mahogany, one lacking upholstery, both lacquered

Details
A PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS, each with arched eared rectangular padded back and slightly serpentine seat, the ourward scrolling arms with acanthus-carved terminals, the waved seat-rail centred by a rockwork cartouche and carved with acanthus, on cabriole legs headed by scrolls and acanthus, on scroll feet, one upholstered in white cotton and with one front foot largely replaced in mahogany, one lacking upholstery, both lacquered
Provenance
Supplied to Sir William Lee for the Drawing Room at Hartwell House
Thence by descent to Mrs Benedict Eyre, sold by order of the Trustees, Sotheby's house sale, 26-28 April 1938, lot 121
Literature
Part of the suite is illustrated in situ in the Drawing Room at Hartwell House, in C. Hussey, English Country Houses, Early Georgian, London, 1955, p.203, fig. 364

Lot Essay

These chairs formed part of the celebrated suite of settees and armchairs commissioned by Sir William Lee, 4th Baronet (d.1799) in the early 1760s for his drawing room at Hartwell House, Buckinghamshire, which had been designed by the architect Henry Keene (d.1776), Surveyor of Westminster Abbey. Their Louis XV style serpentined frames including details such as the scalloped tops to the seatrail, and their acanthus-scroll ornament relates to 'French Chair' patterns engraved by Thomas Chippendale (d.1779) in 1759 and published in the 1763 edition of his Gentleman and Cabinet-maker's Director, pls. XXII and XXIII; while their outward scrolling arms, which merge with the serpentined crest rail of the settees, appear in plate XXX. The roman acanthus foliage, which accompanies the scallop-shell cartouches, emblematic of the nature goddess, harmonised with that of the room's richly stuccoed cornice, executed by Thomas Roberts of Oxford. While the setees share features in common with those provided by Thomas Chippendale for Dumfries House in 1759, they can also be seen as precursors for the celebrated suite, which he provided for the Arlington Street house of Sir Lawrence Dundas in 1766. (See: C. Gilbert, Thomas Chippendale, 1978, figs 355 and 177

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