Lot Essay
This chair is named after the design produced by Rietveld for the Dutch Pavilion at the Juryfreie Kunstschau exhibition in Berlin in 1923. It was Rietveld's first asymmetric design, and both left hand and right versions are known.
See: L'Architecture Vivante, Vol. 3, 1923.
Baroni, pp. 92/3, no. 16.
Kper and van Zijl, p. 92.
Vöge, p. 60, no. 53.
See: L'Architecture Vivante, Vol. 3, 1923.
Baroni, pp. 92/3, no. 16.
Kper and van Zijl, p. 92.
Vöge, p. 60, no. 53.