A VIENNESE BIEDERMEIER BRASS-INLAID EBONISED, PENWORK AND MAHOGANY ETAGERE

EARLY 19TH CENTURY

Details
A VIENNESE BIEDERMEIER BRASS-INLAID EBONISED, PENWORK AND MAHOGANY ETAGERE
Early 19th Century
The oval top with banded gallery above two conforming lower tiers with variations to the banding and supported on three uprights with vases of flowers and a snake issuing from a cornucopia, to the top with a scroll terminating in an eagle's head surmounted by a semi-circular finial, to one side with a man and a horse and to the other with a couple dancing, on splayed legs, losses to brass-inlay and one leg with restored break, two eagle's heads lacking
26½ in. (67 cm.) wide; 52½ in. (133 cm.) high; 17¾ in. (45 cm.) deep

Lot Essay

This étagère is closely related to that dated 1807 in the Museum für angewandte Kunst, Vienna (G. Himmelheber, Die Kunst des deutschen Möbels, Munich, 1973, vol. III, fig. 341), which displays the same light construction and pen-work decoration. Interestingly it is also conceived with identically-shaped trays, similar brass-inlay to the galleries and the same pen-work decorated semi-circle to the top. It is probable that these two étagères were made in the same unidentified workshop and probably within a relatively short time of each other. A drawing of circa 1805 - 1810, in the same museum depicts a similar étagère oflighter construction with similar tray-tops (G. Fabianowitsch, C. Witt-Dörring, 'Genormte Fantasie', Exhibition Catalogue, Vienna, 1996, p. 58, fig. 8).

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