Athene Seyler shared Paul and Margaret Nashs' love of Dymchurch on the Romney Marsh and she was renting a cottage there when the Nashs visited Eric and Alice Daglish in the summer of 1920. Margot Eates comments that 'the discovery of Dymchurch marked a turning point in Nash's art'
(M. Eates, Paul Nash, London, 1973, p.30)