A yellow and white metal and enamel necklace by Ruth A. Isaac, ornate foliate wirework pendant set with a cut glass and enamel plaque of a Renaissance-style maiden, the chain with beads, stamped R. Issac; and a silver and enamel pill box by Ruth Issac, circular with an enamel decoration of an Egyptian, initialled RAI, stamped maker's marks H.C.D. with Birmingham hallmarks for 1925 (2)

細節
A yellow and white metal and enamel necklace by Ruth A. Isaac, ornate foliate wirework pendant set with a cut glass and enamel plaque of a Renaissance-style maiden, the chain with beads, stamped R. Issac; and a silver and enamel pill box by Ruth Issac, circular with an enamel decoration of an Egyptian, initialled RAI, stamped maker's marks H.C.D. with Birmingham hallmarks for 1925 (2)

拍品專文

The Limoges enamel technique used here is rarely found in British Arts & Crafts jewellery. It was revived at Sevres in the late 19th Century and learnt by Alexander Fisher