FIELD, Michael [i.e. Katherine Bradley and Edith Cooper]. Brutus Ultor. London and Clifton: [1886]. 8° (190 x 128mm.). Half-title. Original wrappers (faded, spine torn), in board case, Provenance: Lionel Johnson (inscription on half-title); Long Ago. London: George Bell and Sons, 1889. Small 4to (163 x 125mm.). Half-title, frontispiece. Original vellum gilt (slightly soiled). Number 49 of 100 copies. The Tragic Mary. London: George Bell and Son, 1890. Small 4° (210 x 168mm.). Half-title and limitation leaf. Original vellum gilt, t.e.g., other uncut. One of 60 large paper copies; Sight and Song. London: Elkin Mathews and John Lane, 1892. 8° (174 x 106mm.). Half-title (slightly browned). Original cloth-backed boards (slightly soiled). One of 400 copies. Publishers' presentation copy. The World at Auction. London: Ballantyne Press, 1898. 8° (230 x 140mm.). Decoration by Charles Ricketts. Original boards (slightly soiled, splits in hinges). One of 210 copies. The Race of Leaves. London: Ballantyne Press, 1901. 8° (230 x 145mm.). Decorations by Charles Ricketts. Original boards (slightly soiled, head of spine chipped). Julia Domna. London: Ballantyne Press, 1903. 8° (232 x 142mm.). Decoration by Charles Ricketts. Original boards (slightly soiled). One of 240 copies. Provenance: Maurice Baring (bookplate); and four others. (11)