AN ITALIAN WHITE MARBLE JARDINIÈRE, after the Antique Albani cinerary urn, of octagonal form, each side carved in relief with a winged dancing putto, a bearded mask at each upper angle with trailing foliage between, some of the eros figures playing musical instruments, others lighting torches, 19th Century

Details
AN ITALIAN WHITE MARBLE JARDINIÈRE, after the Antique Albani cinerary urn, of octagonal form, each side carved in relief with a winged dancing putto, a bearded mask at each upper angle with trailing foliage between, some of the eros figures playing musical instruments, others lighting torches, 19th Century
18 1/8 x 17 7/8in. (46 x 45.5cm.)
Literature
COMPARATIVE LITERATURE:
C. Macht, Classical Wedgwood Designs, New York, 1957, p. 61

Lot Essay

The present marble jardinière is taken from an Antique octagonal cinerary urn of D. Lucullus Felix, reputedly found in a tomb on the Via Appia, thence in the Cesi and Albani Collections and now in the Capitoline Museum. It was greatly admired from the late 18th and early 19th centuries, and the design was used in different forms by Wedgwood, traditionally ascribed to Flaxman. The vivacious putti, sometimes entitled 'Sacrifice to Hymen', represent the hope of life after death.

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