Various Properties
AN ENGLISH BRONZE FIGURE OF 'THE SLUGGARD', cast from a model by Frederic, Lord Leighton, the naked youth with his arms raised as he stretches, his head turned languidly to the right, signed Fred Leighton, inscribed THE SLUGGARD, FOUNDED BY J.W. SINGER & SONS. FROME SOMERSET., PUBLISHED BY ARTHUR LESLIE COLLIE, 39B OLD BOND STREET LONDON, MAY 1ST 1890, late 19th Century

細節
AN ENGLISH BRONZE FIGURE OF 'THE SLUGGARD', cast from a model by Frederic, Lord Leighton, the naked youth with his arms raised as he stretches, his head turned languidly to the right, signed Fred Leighton, inscribed THE SLUGGARD, FOUNDED BY J.W. SINGER & SONS. FROME SOMERSET., PUBLISHED BY ARTHUR LESLIE COLLIE, 39B OLD BOND STREET LONDON, MAY 1ST 1890, late 19th Century
20½in. (52cm.) high
出版
COMPARATIVE LITERATURE:
S. Beattie, The New Sculpture, London, 1983, fig. 143, p. 149

拍品專文

During the 1870's Frederic, Lord Leighton (1830-96) began sculpting figures to use as models for his paintings. His first sculpture per se was the Athlete wrestling a Python, executed in 1877, and it revolutionised British contemporary sculpture.
Leighton completed his life-size marble of The Sluggard in 1886. Bronze casts of the sketch for this figure were exhibited at the Paris International Exhibition of 1889 and at the Arts and Crafts Exhibition of 1890. The bronzes were cast, like the present example, by the founders J. W. Singer & Sons of Frome, and were often sold through the Bond Street Firm of Arthur Collie, and stamped accordingly.
The Sluggard captures Leighton's life-model Giuseppe Valona stretching, its freedom of movement and poetic appreciation of the nude reflected a new attitude to sculpture, and a break away from the Academic tradition.