Details
Jacques Callot
Saint Amond (L. 406)
etching, 1621, third or fourth (final) state, a good impression, with part of an Interlaced C's with Cross of Lorraine watermark (L. wmk. 29), trimmed on the platemark at the top, left and right, and to just below the subject at the bottom, thereby lacking the title space, a central vertical fold noticeable only on the reverse, some old glue-staining verso, S. 196 x 281 mm.; Le Portement de Croix, from The Large Passion (L. 286), etching, a fine impression, with margins; Le Capitan ou L'Amoureux, from Les Trois Pantalons (L. 28a); Le Catafalque de l'Empereur Mathias (L. 299); and The Portrait of J. Callot, by J. Odieuvre (Le B. 4) (5)
Saint Amond (L. 406)
etching, 1621, third or fourth (final) state, a good impression, with part of an Interlaced C's with Cross of Lorraine watermark (L. wmk. 29), trimmed on the platemark at the top, left and right, and to just below the subject at the bottom, thereby lacking the title space, a central vertical fold noticeable only on the reverse, some old glue-staining verso, S. 196 x 281 mm.; Le Portement de Croix, from The Large Passion (L. 286), etching, a fine impression, with margins; Le Capitan ou L'Amoureux, from Les Trois Pantalons (L. 28a); Le Catafalque de l'Empereur Mathias (L. 299); and The Portrait of J. Callot, by J. Odieuvre (Le B. 4) (5)