Lot Essay
A similar figure sold in these Rooms, 12 December 1988, lot 92. For other comparable examples, cf. W.Watson, Tang and Liao Ceramics, p.190, fig.208; J.F.H.Menten, Chinesische Grabfunde und Bronzen, p.51, col.pl.34; Masterpieces of Old Chinese Ceramics from the Ataka Collection, Catalogue, no.34; Treasures from the Metropolitan Museum of Art, Catalogue, no.34; Yuzo Sugimura, Chinese Sculpture, Bronzes and Jades in Japanese Collections, colour frontispiece
See also Sekai Toji Zenshu, Kawadeshobo Series, vol.9, pl.109, where it suggests that the figure is dressed to perform the dance of the Rainbow Skirt and the Feather Coat, mentioned by the poet Bo Juyi (AD 772-846) in his 'Song of Unending Regret'. Following the dictates of Tang fashion many women wore elaborate costumes and high coiffures. Their faces were powdered, their cheeks and lips rouged inspiring Bo Juyi to compose a poem entitled, 'The Make-up Today' in which he satirised its more outlandish forms
See also Sekai Toji Zenshu, Kawadeshobo Series, vol.9, pl.109, where it suggests that the figure is dressed to perform the dance of the Rainbow Skirt and the Feather Coat, mentioned by the poet Bo Juyi (AD 772-846) in his 'Song of Unending Regret'. Following the dictates of Tang fashion many women wore elaborate costumes and high coiffures. Their faces were powdered, their cheeks and lips rouged inspiring Bo Juyi to compose a poem entitled, 'The Make-up Today' in which he satirised its more outlandish forms