Jacopo Amigoni (1682-1752)

Details
Jacopo Amigoni (1682-1752)

The Conversion of Saul

48 x 60 5/8in. (122 x 154cm.)

Provenance
Antonio Rossi, Venice
with Spencer Samuels, New York (Inaugural Exhibition. Master Paintings, Drawings and Sculpture, Nov.-Dec. 1984, no.8, illustrated in colour)
Literature
G. M. Pilo, Studiando l'Amigoni, Arte Veneta, XXI, 1958, pp.158-68 and pl.176
R. Pallucchini, La Pittura Veneziana del Settecento, Venice and Rome, 1960, p.25
E. Martini, La Pittura Veneziana del Settecento, Venice, 1964, p.173, note 72, and pl.51
D. Succi, catalogue of the exhibition, Inverno '91, Galleria Salamon, Milan, 1991, p.58, p.60, fig.1, colour, and p.61, note 8
Exhibited
Paris, Petit Palais, L'Art Italien au XVIII Siècle, 1960-1,
no.223

Lot Essay

The present picture was accompanied until 1984 by a pendant showing Esther before Ahasuerus (Pilo, op. cit., illustrated; Pallucchini, op. cit., fig.57; Succi, op. cit., no.7, illustrated in colour). The two subjects, though not traditionally paired, are thematically related as scenes of Old and New Testament salvation. Pallucchini emphasises Amigoni's contrasting treatment of the two scenes, 'ambedue condotte con una impeccabile maestrìa, sottilmente melodrammatica la prima [Esther], più concitata la seconda'. As Pilo points out, the present composition is strongly reminiscent of Luca Giordano's pictures of the same subject and battle scenes. Both pictures are generally dated within Amigoni's years in England, 1729-39, and by Dario Succi more specifically to the end of this period, 1737-9

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