Jean-Baptiste van Loo (1684-1745)

细节
Jean-Baptiste van Loo (1684-1745)

Portrait of Pierre-Joseph-Laurent de Gaillard de Longjumeau, half length, wearing an open shirt and a blue jacket, in a feigned sculpted cartouche with a palette, brushes and books

32¼ x 25 3/8in. (81.4 x 64.5cm.)
出版
M. Roux, Bibliotheèque Nationale, Département des Estampes, Inventaire du fonds français. Graveurs du dix-huitème siècle, I, 1930, pp. 430-3, no. 56 (the engraving by Coussin)
J. Boyer, La Peinture et la Gravure à Aix (1530-1790), Gazette des Beaux-Arts, 6th Period, LXXVIII, 113th Year, July-Dec. 1971, p. 179 (as a lost work known only from the engraving by Coussin)
H. MacAndrew, P.-J. de Gaillard de Longjumeau, an XVIII-Century Collector of Drawings from Aix-en-Provence, and some notes on his family, Gazette des Beaux-Arts, 6th Period, LXXX, 114th Year, July-Dec. 1972, p. 156 and fig. 17 (the engraving by Balechou illustrated, location of the painting unknown), and p. 163, note 11 (the engraving by Coussin)
刻印
Honoré Coussin (1709-1779), 'à la manière noire' including the palette, the brushes and the books (in the Bibliothèque Méjanes, Aix en Provence)
Jean-Joseph Balechou (1716-1764), excluding the palette, the brushes and the books (reproduced in the article by MacAndrew, see above)

拍品专文

Pierre-Joseph-Laurent de Gaillard de Longjumeau, Seigneur de Ventabren, de la Bourdonnière et de Valbonette (1709-1766) came from an important Provence family. Like many of his ancestors, he held responsible posts in the Civil Service in Aix. He was named Conseiller à la Cour des Comptes, Aides et Finances of Provence in 1729 and Commissaire du Corps de la Noblesse in 1754. His principal interests nevertheless remained those of an antiquary with a particular interest in the history of Provence. Among other projects, he played an active part in the compilation of the important Histoire de la Noblesse de Provence published in 1757-59, and then in 1760 produced his Antiquités de la ville d'Aix. An amateur engraver and noted collector, he was elected to the Academie de Peinture of Marseilles in 1756, and - like Mariette and the Comte de Caylus - became one of its 'Honorary Amateurs'. MacAndrew, loc. cit., identified and discussed fifteen drawings from his collection of over 204(?). A posthumous inventory of works of art which were not the object of donations was published by J. Boyer, Les Collections de Peintures à Aix en Provence aux XVIIème et XVIIIème Siècles d'après des Inventaires Inédits, Gazette des Beaux-Arts, 6th Period, LXV, 107th Year, Jan.-June 1965, pp. 105-7. Three further paintings by J. B. van Loo are included in this inventory.

Van Loo's portrait of the Aix amateur, J. P. de Ricard, likewise shows the sitter with a palette and brushes (Boyer, loc. cit., 1971, fig. 143, and MacAndrew, op. cit, p. 164, note 17)