拍品专文
Pierre-Joseph-Laurent de Gaillard de Longjumeau, Seigneur de Ventabren, de la Bourdonnière et de Valbonette (1709-1766) came from an important Provence family. Like many of his ancestors, he held responsible posts in the Civil Service in Aix. He was named Conseiller à la Cour des Comptes, Aides et Finances of Provence in 1729 and Commissaire du Corps de la Noblesse in 1754. His principal interests nevertheless remained those of an antiquary with a particular interest in the history of Provence. Among other projects, he played an active part in the compilation of the important Histoire de la Noblesse de Provence published in 1757-59, and then in 1760 produced his Antiquités de la ville d'Aix. An amateur engraver and noted collector, he was elected to the Academie de Peinture of Marseilles in 1756, and - like Mariette and the Comte de Caylus - became one of its 'Honorary Amateurs'. MacAndrew, loc. cit., identified and discussed fifteen drawings from his collection of over 204(?). A posthumous inventory of works of art which were not the object of donations was published by J. Boyer, Les Collections de Peintures à Aix en Provence aux XVIIème et XVIIIème Siècles d'après des Inventaires Inédits, Gazette des Beaux-Arts, 6th Period, LXV, 107th Year, Jan.-June 1965, pp. 105-7. Three further paintings by J. B. van Loo are included in this inventory.
Van Loo's portrait of the Aix amateur, J. P. de Ricard, likewise shows the sitter with a palette and brushes (Boyer, loc. cit., 1971, fig. 143, and MacAndrew, op. cit, p. 164, note 17)
Van Loo's portrait of the Aix amateur, J. P. de Ricard, likewise shows the sitter with a palette and brushes (Boyer, loc. cit., 1971, fig. 143, and MacAndrew, op. cit, p. 164, note 17)