拍品專文
His excellent technique of katakiribori is well illustrated on this example. For the artist, see lot 217.
SIGNED NIPPON HORIMONO GANSO ICHIKAWA HYO (?)ZOBEI SANSEI MAGO [GRANDSON OF THE THIRD ICHIKAWA HYOZOBEI, THE FOUNDER OF JAPANESE CARVING] DAIRYUSAI TSUKI MITSUOKI, CHOSEN KORE, LATE EDO PERIOD (LATE 18TH/EARLY 19TH CENTURY)
細節
AN OTSUKI SCHOOL TSUBA
Signed Nippon horimono ganso Ichikawa Hyo (?)zobei sansei mago [grandson of the third Ichikawa Hyozobei, the founder of Japanese carving] Dairyusai Tsuki Mitsuoki, chosen kore, late Edo period (late 18th/early 19th Century)
The aorigata shinchu plate depicting an old woman in a field looking at a naruko, the reverse with a farmer working behind a bundle of straw, uchikaeshi mimi, with a wood box
3 1/8in (8cm.), mimi 3.5mm.
Signed Nippon horimono ganso Ichikawa Hyo (?)zobei sansei mago [grandson of the third Ichikawa Hyozobei, the founder of Japanese carving] Dairyusai Tsuki Mitsuoki, chosen kore, late Edo period (late 18th/early 19th Century)
The aorigata shinchu plate depicting an old woman in a field looking at a naruko, the reverse with a farmer working behind a bundle of straw, uchikaeshi mimi, with a wood box
3 1/8in (8cm.), mimi 3.5mm.
展覽
Red Cross Exhibition (1915), pl. CKLIV, no. 905, (Lent by Dr. Hutchinson)