A PAIR OF LATE MAMLUK SILVER INLAID BRASS CANDLESTICKS, the truncated slightly flaring conical body of each with a flaring flat shoulder, the cylindrical neck with a tapering mouth bounded by raised bands, the body engraved and inlaid with bold peony flowerheads alternating with European shields containing diagonal stripes, the shoulder with a band of running animals among vine, the neck, mouth and base with simple meandering and triangular motif stripes, late 15th century (most silver now missing, shoulders slightly rubbed)

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A PAIR OF LATE MAMLUK SILVER INLAID BRASS CANDLESTICKS, the truncated slightly flaring conical body of each with a flaring flat shoulder, the cylindrical neck with a tapering mouth bounded by raised bands, the body engraved and inlaid with bold peony flowerheads alternating with European shields containing diagonal stripes, the shoulder with a band of running animals among vine, the neck, mouth and base with simple meandering and triangular motif stripes, late 15th century (most silver now missing, shoulders slightly rubbed)
each 4¾in. (12.2cm.) high (2)

Lot Essay

The flat broad drip-tray, concave side and tall candleholder are characteristic of the Mamluk candlestick from the late 14th century. From this type was derived the candlestick with wide drip tray and tall baluster stem which was current in Europe from the late 15th century. European coats of arms were introduced into Mamluk metalwork from the early 14th century on commissioned pieces. Those that can be identified with any certainty are usually Italian, although examples are known with the arms of Hughes de Lusignan and those of Elisabeth von Habsburg-Kärnten. The arms represented on this pair may be that of the Badoer family of Venice. For a discussion of metalwork made in the Mamluk empire for export to Europe see:

Ward, R.: 'Metallarbeiten der Mamluken-zeit hergestellt für den Export nach Europa', in Europa und der Orient 800-1900, Berlin exhibition catalogue, Munich 1989

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