This unusual dish is apparently without parallel in its composition. The form of the body is typically Syrian with its small central foot and spreading flat rim. The remains of the pointil marks in the centre are also a hallmark of Syrian pottery from the medieval period through to the 17th century. The design on the underside follows Chinese porcelain designs of the late 14th and early 15th centuries, making a 15th century attribution almost certain. In the design in the floral centre however, the artist, while loosely acknowledging the Oriental influence, has allowed his personal style completely to dominate. From his delight in parallel lines and the way they curve to form a shape, he was very possibly also trained as a calligrapher.