THE PROPERTY OF A GENTLEMAN 
A william III floral marquetry month-going longcase clock

EDWARD EAST, LONDON; CIRCA 1690

Details
A william III floral marquetry month-going longcase clock
Edward East, London; circa 1690
The case inlaid overall with flowers issuing from vases with birds atop, the plinth on later bun feet, ebonised mouldings to the trunk door with a brass-framed glazed lenticle, the lower and middle panels of D-end form, the upper panel of transient teardrop form, the sides inlaid with rectangular boxwood panels, original spoon lock to the trunk door locking the rising hood with twist columns and blind fret to the freize, the 10 in. sq. dial signed Edwardus East, Londini beneath the silvered chapter ring with pierced blued steel hands, the matted centre with ringed winding holes and decorated calendar aperture, central engraved rosette, winged cherub spandrels, latches to the five ringed pillars securing the tall brass movement plates, reversed wheel trains with the going on the left having anchor escapement, high position small countwheel on the back plate with strike on bell above.

Lot Essay

Edward East, 1602-c.1693 was perhaps the most influential and certainly one of the most important clockmakers of the 17th century. Born at Southill, Bedfordshire, the son of John East he was apprenticed until 1626 to Richard Rogers in the Goldsmiths' Company. When the Clockmakers' Charter was finally given Royal assent in August 1631 East was one of the first Assistants to be named, apparently against his will. He became Warden in 1638 and Master in 1645 and 1653 and worked at 'The Musical Clock' where he apparently held Clockmakers' Company court meetings. In 1660 he was appointed Chief Clockmaker to King Charles II.
The reversed trains found on the present clock is a feature sometimes found on other month-going clocks vide Tom Robinson, The Longcase clock, Antique Collectors' Club, 1981, p. 96, fig 5/10. The reason for their reversal is owing to the introduction of the extra 'month' wheel into the two trains; this in effect reverses their rotation and also the 'draw' on the bell hanmmer, a problem that was solved by the reversal of the two trains.
The vast majority of the plinths for these early marquetry clocks have either been heavily restored or totally replaced, the present example is one of the very few exceptions where almost the entire structure still survives.
The last marquetry longcase clock by Edward East was sold in these rooms, Important English Furniture, Thursday, 3 July 1997, lot 155.

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