Adriaen Brouwer (1605/6-1638)

Details
Adriaen Brouwer (1605/6-1638)

Smokers in an Inn

on panel

12¼ x 9¼in. (31 x 23.5cm.)
Provenance
with Maurice Kann, Paris, c.1908
Max, Freiherr von Goldschmidt-Rothschild, Frankfurt, until 1939
with Rosenberg and Stiebel, New York, 1949
Frits Markus, New York, 1949-1971
with Hans Cramer, The Hague, 1972-3
Literature
A. von Wurzbach, Niederländisches Künstler-Lexikon, I, Vienna and Leipzig, 1906, p.196
F. Schmidt-Degener, Adriaen Brouwer et son évolution artistique, Brussels, 1908, pp.8-10, illustrated p.5
F. Schmidt-Degener, Adriaen Brouwer en de ontwikkeling zijner kunst, Onze Kunst, 1908, Pt.XIII, pp.5-11 and pl.4A
C. Hofstede de Groot, A Catalogue Raisonné, etc., III, London, 1910, p.607, no.127
F. Schmidt-Degener in U. Thieme and F. Becker, Allgemeines Lexikon der bildenden Künstler, V, Leipzig, 1911, p.74
W. Bode, Adriaen Brouwer. Sein Leben und seine Werke, Berlin, 1924, p.48 and pl.17
B. Knüttel, Adriaen Brouwer. The Master and his Work, The Hague, 1962, pp.89-92 and colour pl.4
Exhibited
Frankfurt, Städelsches Kunstinstitut, Meisterwerke alter Malerei aus Privatbesitz, 1925, no.30 and pl.81
Frankfurt, Städelsches Kunstinstitut, 1939-1949
Noortman and Brod, New York, 7-30 Oct.1982, and Maastricht, 19 Nov.-11 Dec., Adriaen Brouwer. David Teniers the Younger, pp.36-7, no.3, illustrated in colour, on loan (catalogue by M. Klinge)
Philadelphia Museum of Art, 18 March-13 May 1984, Gemäldegalerie, Berlin, 8 June-12 Aug., and Royal Academy, London, 7 Sept.-18 Nov.,
Masters of Seventeenth-Century Dutch Genre Painting, pp.164-5, no.21, and colour pl.23
Engraved
Pierre Maloeuvre (1740-1803), as 'Les Paysans du Mordyck'

Lot Essay

Maloeuvre's engraving (which is captioned 'The Peasants of Moerdijck'; Moerdijck is a village in Holland near the border with Brabant) shows that in the eighteenth century the picture bore additions on both sides transforming it into a horizontal format. Some areas of the original panel had also been overpainted but these extraneous elements have since been removed, with the exception of the pestle and mortar at lower left. Otherwise the present picture is shown in its present form in an early copy sold at Galerie Charpentier in Paris in 1951.

Margret Klinge (in the catalogue of the Noortman and Brod exhibition) dates the painting to 1627-30, when Brouwer was turning away from the red and pink colouration of the early Haarlem pictures to the predominant monochromy of his later works. William Robinson has pointed out that a sheet of studies in the Kupferstichkabinett, Berlin, includes two sketches for the exhaling smoker at lower right (see the catalogue of the 1984 exhibition, p.165 and fig.2)

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