THE PROPERTY OF A GENTLEMAN 
Pierre-Auguste Renoir (1841-1919)

Claude Renoir dans les bras de sa nurse, Renée Jolivet

Details
Pierre-Auguste Renoir (1841-1919)
Claude Renoir dans les bras de sa nurse, Renée Jolivet
with the inscription 'Claude Renoir - A mon parrain Albert André' (lower right)
charcoal heightened with pink crayon on two joined sheets of paper
30½ x 24 1/8in. (77.4 x 61.3cm.)
Executed in 1903
Provenance
A. André, Paris (the godfather of Claude Renoir).
Literature
C.B. Baily, Renoir's Portraits, Impressions of an age, New Haven, 1997, p. 236 (illustrated p. 331).
Exhibited
Paris, Musée de l'Orangerie, Renoir 1841-1919, 1933, no. 145, p. 59.
Paris, Galerie Hopkins-Thomas, Exposition Renoir, Dessins et Aquarelles, 1985, no.21. This exhibition later travelled to Artis, Monte-Carlo.

Lot Essay

This work is a study for the celebrated oil Claude et Renée, 1903, now in the National Gallery of Canada, Ottawa (see ill.).
The present study, whose dimensions are practically identical to the canvas, establishes the contours and relationship between the baby and his nurse: Renée leans back as if hoisting the baby against her right hip, while Claude's billowing dress gives him a pear-shaped appearance.
Of the many early portraits of Claude Renoir, Claude et Renée is the most ambitious and monumental, and had been aptly described as among "the most spare figure compositions in Renoir's whole career."

To be included in Vol. X (Les pastels, Aquarelles et Dessins) of the Renoir Catalogue raisonné being prepared by François Daulte.

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