A GERMAN AMARANTH, KINGWOOD AND MARQUETRY BOMBE COMMODE, the associated serpentine-fronted rectangular pink and grey variegated marble top above two long graduated drawers, one divided, inlaid sans traverse with a central cartouche depicting tulips, carnations and other flowers with a bird and butterflies, flanked by further vignettes within a stylised C-scroll border, the quarter-veneered sides similarly inlaid with foliate sprays, above a shaped apron and on splayed tapering legs, mid-18th Century, the key-label inscribed Key of Inlaid chest of drawers Long Drawing Room

Details
A GERMAN AMARANTH, KINGWOOD AND MARQUETRY BOMBE COMMODE, the associated serpentine-fronted rectangular pink and grey variegated marble top above two long graduated drawers, one divided, inlaid sans traverse with a central cartouche depicting tulips, carnations and other flowers with a bird and butterflies, flanked by further vignettes within a stylised C-scroll border, the quarter-veneered sides similarly inlaid with foliate sprays, above a shaped apron and on splayed tapering legs, mid-18th Century, the key-label inscribed Key of Inlaid chest of drawers Long Drawing Room
45¾in. (116cm.) wide; 33in. (84cm.) high; 22½in. (57.5cm.) deep
Provenance
Purchased in Paris circa 1860 by the 3rd Countess Torrebella, later Mrs. Russell M. Gordon of Kirkcudbright, for the Palacio do Collegio, Madeira
Thence by descent

Lot Essay

The serpentined commode, designed in the Louis XV picturesque manner, is decorated with birds and butterflies amongst a paridisical varie-flowered shrub, recalling exotic Indian chintzes. Its airily entwined tendrils, springing from a fruiting pomegranate and clasped in a tripartite-cartouche frame of scrolled-ribbon bands, features on a writing-table supplied in the late 1750s to the duc d'Orleans by the widow of the Parisian ébéniste Jean-Pierre Latz and Denis Genty (offered by Christie's Monaco, 2nd September 1993, lot 173)

Recalling the fruit and flowers portrayed in the chinoiserie furniture patterns published by Johann Michael Hoppenhampt in 1753, the design of the marquetry is in turn related to the ouevre of the Spindler family workshops in Bayreuth and Potsdam around 1760 (see: S. Sangl. 'Spindler', Furniture History Journal, Leeds, 1991, pp. 22-34)

A pair of closely related commodes, probably of a slightly earlier period and more monumental form, was sold anonymously in these Rooms, 19 May 1993, lot 185

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