THE PROPERTY OF AN INSTITUTION
A MASSIVE ITALIAN GILTWOOD CENTRE-TABLE, the inset rectangular triple-divided Verona marble top in a moulded frame above a boldly-scrolled pendant pierced frieze, the front centred by a scallop shell, on cabriole legs headed by acanthus carving and paw feet, 19th Century, the marble inscribed in chalk LADY COATS,/3 SLABS, some losses, one foot detached, adapted and reconstructed, basically 19th Century

Details
A MASSIVE ITALIAN GILTWOOD CENTRE-TABLE, the inset rectangular triple-divided Verona marble top in a moulded frame above a boldly-scrolled pendant pierced frieze, the front centred by a scallop shell, on cabriole legs headed by acanthus carving and paw feet, 19th Century, the marble inscribed in chalk LADY COATS,/3 SLABS, some losses, one foot detached, adapted and reconstructed, basically 19th Century
95in. (242cm.) wide; 40in. (102cm.) high; 38in. (96.5cm.) deep

Lot Essay

Designed in the 'Antique' manner, this acanthus-wrapped lion-footed table, with its central scallop-shell emblematic of Venus and monumental 'Roman' scrolled acanthus, relates in form to George II pier-table frames such as the one sold in these rooms, 24 June 1976, lot 52. Its bold proportions suggest that it was originally intended as the stand for an Italian cabinet, like the celebrated stands made by Domenico Cucci in 1683 for Louis XIV, which were purchased by the 3rd Duke of Northumberland from Edward Holmes Baldock for Alnwick Castle in 1824 (see P. Verlet French Royal Furniture, Paris 1963, p.101 figs. 1a-e). A related stand inspired by the Alnwick prototypes supported a cabinet sold in these Rooms, 2 July 1987, lot 459

More from French & Continental Furniture

View All
View All