Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Details
Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

St John the Baptist: a Cartoon for Stained Glass

with Morris & Co numbers 'T [?] P 263 [cancelled]/LP34 [34 cancelled]/32' and with inscription 'I have toned with/umber the lower/part of the cartoon to make it match/with the top/which is soiled/and stained. E. Clifford' [partially erased] and with further inscription 'St John the Baptist./cartoon by Sir Edwd./Burne Jones. (early/work bought by me/of Morris & Co 6 Oct/1903.Edward Clifford' on an old label attached to the reverse;pencil and black chalk, squared for transfer
49 x 19½in. (1245 x 483mm.)
Provenance
Bought from Morris & Com. by Edward Clifford, 6 October 1903
Lord Gerald Wellesley, 7th Duke of Wellington, and by descent, until 1983
Literature
Warrington Taylor, List of Designs of Morris and Co., Manuscript in the Birmingham City Art Gallery
A. Charles Sewter, The Stained Glass of William Morris and His Circle, A Catalogue, Yale University Press New Haven and London, 1975, I, pl.284 (reversed) and II, p.120, and I, pl.299, II, p.22, both for comparison

Lot Essay

The design was made in 1866 for a light in the East window of Townhead Blochairn Parish Church, Glasgow, being listed by Burne-Jones in his account book as one of '4 fogies. Moses & Co. (7 each'. It was subsequently re-used many times. A.C. Sewter (op. cit., p. 299) lists fifteen further locations, incuding Llandaff Cathedral (1868; Sewter, I, 1974, pl. 284, the figure here being reversed), St Mary's, Bloxham (1869; Sewter, pls. 296, 299), and St Andrew's College Chapel at Grahamstown, South Africa, which received a version as late as 1919. A drapery study which may be connected with the figure is in the Birmingham Art Gallery (158'04; Sewter, pl. 287), and the cartoon for King David, another of the '4 fogies' in the Townhead window, belongs to Ohio State University.

As the inscription states, the cartoon was bought from Morris & Co. by Edward Clifford in October 1903. The design was to appear in a number of windows made later than this, so some form of reproduction, possibly photographic, must have been used. Clifford proceeded to put a wash over the lower portion of the cartoon to make it match the upper part, which, not surprisingly in view of the amount of re-using, had become somewhat stained. He was ideally equipped to do this since he had known Burne-Jones from the 1860s, owned examples of his work, and had copied many of his early watercolours. For an example of his own work, see lot .....

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