BIOKAM, INTRODUCED IN 1899
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BIOKAM, INTRODUCED IN 1899

Details
BIOKAM, INTRODUCED IN 1899
Alfred Darling, Hove, West Sussex, England; 17.5mm., polished mahogany case stamped no. 152, hand-cranked, with wood and brass winding handle, the front panel with metal plate printed THE BIOKAM REGISTERED PATENTS APPLIED FOR IN GREAT BRITAIN, UNITED STATES OF AMERICA FRANCE AND GERMANY, two brass button knobs with adjacent marking for TIME and SNAP, a brass bound f/7 38mm. lens no. 63068 engraved EURYSCOP VOIGHTLAENDER & SOHN A.G. BRUNSWICK, with an arrow marked on the wood for setting the internal snapshot shutter, the interior with a reciprocating claw mechanism geared to a cam, the exterior with protroding crank shaft for eight frames per turn, the second crank giving one picture per turn, a large catch allowing the back part of the mechanism to hinge open and a sliding catch allowing the whole mechanism to be removed from the film chamber
Literature
Michel Auer and Michèle Ory (1979), Histoire de la caméra ciné amateur, p. 62-63.
Peter Ariel (1989), Ariel Cinematographica Register, Band 2, no. 310.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This was an ingenious and practical camera, printer and projector, using centre perforated 17.5mm. film. It was manufactured by Alfred Darling and sold by the Warwick Trading Company

The camera was designed as a complete system that could take snapshots and film motion pictures at the same time. The double-ended body allows two films to be exposed before it is necessary to return to the dark room. The film threading part of the camera has a brass plate acting as front gate with a centre perforation claw protruding from the internal chamber. The rear part of the camera has a sprung pressure plate and a large threaded brass flange covering a hole for light to enter when the unit is used for printing or projection. To use as a projector, a wooden film box and metal spool-arm would be needed; these were also sold by the maker as optional accessories.

The film has no conventional take-up, but falls into a receptacle. Having processed the negtive, a positive could then be printed using the same mechanism. Finally, the positive could be projected using just the front section of the camera mounted in front of a magic lantern. An imaginative solution to the home cinema problem a century ago.

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