Various Properties
A FRENCH SILVERED-BRONZE AND ENAMELLED BUST ENTITLED 'LA JUIVE D'ALGER', cast from a model by Charles Henri Joseph Cordier, the woman looking slightly down to her left, wearing a striped headscarf fastened with a gilt-metal and enamel brooch, with sumptuous robes fastened to the left shoulder with a tasseled buckle and intricately decorated to the front with flowers and red and blue enamelling, on a circular waisted socle, signed to one of the drapery folds CORDIER 1862, third quarter 19th Century

Details
A FRENCH SILVERED-BRONZE AND ENAMELLED BUST ENTITLED 'LA JUIVE D'ALGER', cast from a model by Charles Henri Joseph Cordier, the woman looking slightly down to her left, wearing a striped headscarf fastened with a gilt-metal and enamel brooch, with sumptuous robes fastened to the left shoulder with a tasseled buckle and intricately decorated to the front with flowers and red and blue enamelling, on a circular waisted socle, signed to one of the drapery folds CORDIER 1862, third quarter 19th Century
17½in. (44.5cm.) high
Literature
COMPARATIVE LITERATURE:
J.Durand-Revillon, Un promoteur de la sculpture polychrome sous le Second Empire, Charles Henri Joseph Cordier (1827-1905), in Bulletin de la Société de l'Histoire de L'Art français, 1982, pp. 181-98.

Lot Essay

Having recently conquered Algeria, the French had a national preoccupation with the natives of their newly acquired territory, a fashion which Cordier, with his own interest and skill, was to capitalise upon with such works as La Juive d'Alger. The present model, executed in enamelled bronze and onyx, first appeared in the exhibition of 1862 in London, for which it was presumably specially produced. Subsequently, a version was exhibited at the Paris Salon of 1863 and another at the Exposition Universelle of 1867. In 1869, the French Government presented a further example to the museum in Troyes.

An identical example sold at Sotheby's, 29th November 1991, lot 130.

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