A PAIR OF REGENCY WHITE-PAINTED AND PARCEL-GILT OPEN ARMCHAIRS in the manner of Henry Holland, each with channelled padded back, arms and seat covered in foliate upholstery on an ivory ground, the spreading stiles joined by a part-reeded turned baluster, the arms on Egyptian herm-supports with channelled tapering bodies on a tapering plinth, previously overpainted, the undersides of the arm-rests all signed once in ink W. Saul and once in pencil XXVIII and XX (2)

Details
A PAIR OF REGENCY WHITE-PAINTED AND PARCEL-GILT OPEN ARMCHAIRS in the manner of Henry Holland, each with channelled padded back, arms and seat covered in foliate upholstery on an ivory ground, the spreading stiles joined by a part-reeded turned baluster, the arms on Egyptian herm-supports with channelled tapering bodies on a tapering plinth, previously overpainted, the undersides of the arm-rests all signed once in ink W. Saul and once in pencil XXVIII and XX (2)

Lot Essay

W. Saul is recorded as an upholsterer working in Southwark, London in 1803
These chairs are designed in the 'antique' stye popularised in the early 19th century by Thomas Hope's Household Furniture and Interior Decoration, 1807. Their 'Isis' herm supports reflect the Egyptian style introduced by Thomas Chippendale Junior (d. 1822) at Stourhead, Wiltshire in 1804, following his visit to Paris two years previously (see: J. Kenworthy-Brown, 'Notes on the Furniture by Thomas Chippendale the Younger at Stourhead', National Trust Year Book, 1975/6, pp. 93-102

A pair of chairs of this model was sold anonymously in these Rooms, 21 November 1974, lot 88

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