Various Properties
A PAIR OF GILTWOOD SIDE TABLES, each with rectangular specimen marble top inset with rectangular specimens within a black trellis-pattern border, banded with verde antico and with a Siena marble moulded edge, the giltwood base with roundel-centred panelled frieze draped with ribbon-tied swags, on square tapering panelled legs headed by double flowerheads and carved with overlaid roundels, on stiff-leaf feet, minor variations in width, the tops 19th Century, the bases modern, minor losses, one with losses to corner of top and the other with losses to side banding

Details
A PAIR OF GILTWOOD SIDE TABLES, each with rectangular specimen marble top inset with rectangular specimens within a black trellis-pattern border, banded with verde antico and with a Siena marble moulded edge, the giltwood base with roundel-centred panelled frieze draped with ribbon-tied swags, on square tapering panelled legs headed by double flowerheads and carved with overlaid roundels, on stiff-leaf feet, minor variations in width, the tops 19th Century, the bases modern, minor losses, one with losses to corner of top and the other with losses to side banding
68in. (173cm.) and 70in. (178cm.) wide; 36¼in. (92cm.) high; 33in. (84cm.) deep (2)
Provenance
By repute, The Dukes of Manchester, Kimbolton Castle, Huntingdon

Lot Essay

The seat of the Montagus, Dukes of Manchester, since it was purchased by Sir Henry Montagu circa 1620, Kimbolton Castle was rebuilt for Charles, 1st Duke of Manchester, by Sir John Vamburgh (d. 1726). A celebrated Italophile, the 1st Duke was twice appointed Ambassador Extraordinary to the Venetian Republic and this resulted in the acquisition of the distinguished group of Italian furniture dispersed in the Kimbolton Castle sale of July 1949. Although not listed in this Knight, Frank & Rutley sale catalogue, these table tops may well have been supplied to the 4th Duke of Manchester, who had engaged Robert Adam as his architect from the mid-1760s.
A closely related late 18th century specimen marble top in the Galleria Borghese, Rome, is illustrated in A. M. Giusti, Pietre Dure, London, 1992, fig. 17

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