Various Properties
AN EMPIRE ORMOLU-MOUNTED MANTEL CLOCK by Pierre-Philippe Thomire, the circular enamelled dial with Roman numerals within a laurel-wreath bezel, the whole set into a rectangular plinth cast with foliate-arabesques and ram's-headed cornucopiae, surmounted by a globe and three books, the flanking column cast with a ribbon-tied trophy emblematic of the Arts and surmounted by a lyre, balanced to the other side by a standing figure of Apollo holding a flaming-torch and laurel-branches, the rectangular base with panelled frieze cast with nymphs emblematic of the Arts, above a stiff-leaf border and on spreading engine-turned feet, signed THOMIRE A PARIS, numbered 534/v

Details
AN EMPIRE ORMOLU-MOUNTED MANTEL CLOCK by Pierre-Philippe Thomire, the circular enamelled dial with Roman numerals within a laurel-wreath bezel, the whole set into a rectangular plinth cast with foliate-arabesques and ram's-headed cornucopiae, surmounted by a globe and three books, the flanking column cast with a ribbon-tied trophy emblematic of the Arts and surmounted by a lyre, balanced to the other side by a standing figure of Apollo holding a flaming-torch and laurel-branches, the rectangular base with panelled frieze cast with nymphs emblematic of the Arts, above a stiff-leaf border and on spreading engine-turned feet, signed THOMIRE A PARIS, numbered 534/v
15½in. (39.5cm.) wide; 20in. (51cm.) high

Lot Essay

Pierre-Philippe Thomire (1751-1843), a student of Houdon and Pajou, estabished his firm in 1776. He was first noted in 1775 when collaborating with Louis Prieur, ciseleur et doreur du roi, after attending the Académie de Saint-Luc. In the 1780s he regularly supplied to the crown and to ébénistes such as Benneman. Briefly interrupted by the Revolution, during which he turned his factory into an arms factory, his firm continued until 1823 under his leadership before being handed over to other members of his family.

This mantel clock is closely related to drawings by Pierre-Philippe Thomire in the Nationalmuseum, Stockholm (H 35/1874:13) and in the Musée des Arts Décoratifs, Paris, (CD 4209), which use the same type of figure distribution and symbolism, although representing other allegories or mythologies.

A related mantel clock from the collection of Lady St. Brides was sold in these Rooms, 6 December 1979, lot 35, and a further model was sold anonymously, Sotheby's New York, 28 March 1992, lot 78

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