A GEORGE III PAINTED AND PARCEL-GILT CIRCULAR TABLE, the glazed top with moulded edge and inset with a central circular coloured print of a mother and two children surrounded by a six-panelled gouache depicting the eruption of Mount Vesuvius in 1794, within neo-classical borders, the panelled frieze painted with anthemia and on turned tapering fluted legs joined by a concave-sided pierced square undertier with central circle, on spirally-fluted turned feet, with two paper labels inscribed in ink 30/51 and BLAIRMAN, a further label inscribed in ink X53 Circular table from Isaacs 22 Jul.., chalked 1189X, re-gilt and the top re-laid, one foot repaired

Details
A GEORGE III PAINTED AND PARCEL-GILT CIRCULAR TABLE, the glazed top with moulded edge and inset with a central circular coloured print of a mother and two children surrounded by a six-panelled gouache depicting the eruption of Mount Vesuvius in 1794, within neo-classical borders, the panelled frieze painted with anthemia and on turned tapering fluted legs joined by a concave-sided pierced square undertier with central circle, on spirally-fluted turned feet, with two paper labels inscribed in ink 30/51 and BLAIRMAN, a further label inscribed in ink X53 Circular table from Isaacs 22 Jul.., chalked 1189X, re-gilt and the top re-laid, one foot repaired
23¼in. (59cm.) diameter; 27in. (74cm.) high
Provenance
Probably supplied to Anthony, 5th Earl of Newburgh (d.1814), Slindon Hall, Arundel, Sussex
Almost certainly by descent at Slindon until the early years of this century
Bought by 1st Viscount Leverhulme (then Sir William Lever, Bt.) from Moss Harris (trading as Messrs. Isaacs) on 22 July 1914 as part of a larger group (see below) for #650
The late Viscount Leverhulme, The Hill, Hampstead, sold Anderson Galleries, New York, 27 February 1926 (=15th day), lot 404 ($375)
Bought from Blairman at the Antique Dealers' Fair, Grosvenor House, 1962, and invoiced on 14 June for #1,250

Lot Essay

This table is part of a suite that also consists of twelve side chairs, two armchairs, a footstool and a writing-table. Lord Leverhulme bought the entire suite from Moss Harris as well as five unrelated pieces of bluejohn. He paid #650 for the whole group.
On the first day of the 1926 sale (9 February), the chairs and footstool were lots 188-191 and the writing-table lot 140. A pair of the side chairs were subsequently sold (as Louis XVI) by the Westmoreland Museum of Art, Sotheby's New York, 31 March 1990, lot 206, and four further side chairs were sold anonymously, in these Rooms, 15 November 1990, lot 56.
The painted top is made up of two segmental late 18th Century Neapolitan gouaches of Vesuvius, framing a circular English stipple engraving. The gouaches may well have been purchased by an English traveller on the Grand Tour. A gouache of the same semi-circular form, and of almost exactly the same subject and composition, was purchased by Jonas Brooke while staying in Naples in 1784. It is to be included in Christie's house sale at Mere Hall, Cheshire, on 23 May 1994, lot 231. The stipple engraving is probably 'The Merry Story' by J.R. Smith. The boy is the same figure as in the companion print 'The Sad Story'.
Slindon Hall was the seat of the Kemp family in the early 18th Century. Barbara Kemp (d.1797), eventual sole heiress of Anthony Kemp, married James, 4th Earl of Newburgh (d.1787) in 1749. Since the early 19th Century the Earls of Newburgh have been Italian and Slindon was sold and rebuilt early this century.
We are grateful to Miss Lucy Wood and to Mr. Norman Blackburn for their help in preparing this catalogue entry.

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