A PAIR OF REGENCY PAINTED OPEN ARMCHAIRS, each with tablet toprail painted with trellis and simulated fringing above a pierced back centred by a geometrically-decorated lozenge and a padded seat covered in pink velvet, the arms on baluster supports, with turned tapering legs decorated with tassel swags, stamped T F, the back angle-brackets possibly replaced (2)

Details
A PAIR OF REGENCY PAINTED OPEN ARMCHAIRS, each with tablet toprail painted with trellis and simulated fringing above a pierced back centred by a geometrically-decorated lozenge and a padded seat covered in pink velvet, the arms on baluster supports, with turned tapering legs decorated with tassel swags, stamped T F, the back angle-brackets possibly replaced (2)
Provenance
Bought from Mallett on 23 September 1959 for #400
Literature
Country Life, 9 April 1959, Mallett advertisement

Lot Essay

This pattern of chair with columnar supports and scrolled tablet derives from French chairs of the end of the 18th Century. The type was certainly produced by Gillows of Lancaster whose pattern book illustrates a very similar example (see: I. Hall, 'The Gillows Furniture Designs - II', Country Life, 15 June 1978, fig. 8)
A set of white-painted and parcel-gilt chairs with the same distinctive drapery-and-lozenge backs are illustrated in M. Jourdain and F. Rose, English Furniture, The Georgian Period (1750-1830), London, 1953, p. 63, pl. 16
When advertised in 1959, the set comprised seven armchairs

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