拍品專文
Although this figure does not incorporate any explicitly bird-like features, its posture, with the arms held close to the sides and raised head, may suggest a bird transformation. Many bird-man figures are not emaciated, nor bear a glyph on the head or perforated suspension lug.
Horizontally-oriented figures form an integral part of the Easter Island canon. Horizontal figures occur less frequently in other Polynesian traditions: perhaps the most famous "flying" figure is the large stone figure from Puamau, Hivaoa in the Marquesas (Linton, 1925, pl.VI and KaepplerKaufan et al., 1993, p.531, pl.738
Heyerdahl (1976) illustrates two figures in a similar pose, with the head thrown well back (pl.78), one in Leningrad (1432-11) and the other from the Beasley Collection, now in the Royal Scottish Museum, Edinburgh.
Horizontally-oriented figures form an integral part of the Easter Island canon. Horizontal figures occur less frequently in other Polynesian traditions: perhaps the most famous "flying" figure is the large stone figure from Puamau, Hivaoa in the Marquesas (Linton, 1925, pl.VI and KaepplerKaufan et al., 1993, p.531, pl.738
Heyerdahl (1976) illustrates two figures in a similar pose, with the head thrown well back (pl.78), one in Leningrad (1432-11) and the other from the Beasley Collection, now in the Royal Scottish Museum, Edinburgh.