THE PROPERTY OF A LADY
A GEORGE III ORMOLU AND ENAMEL MANTEL CLOCK, the oval enamel dial by William Hopkins Craft and the movement attributed to William Parr, the circular Roman-chaptered dial within a florally-garlanded laurel border and standing on a fluted column beside a figure of Peace in a classical architectural capriccio and a landscape extending beyond, at base a discarded torch and quiver beside two doves and two putti holding a scroll detailing the proportion of the National Debt incurred in connection with the American colonies, the dial in a rectangular repoussé frame with rounded upper angles and a laurel border, surmounted by a twin-handled urn with detachable cover and gilded interior, the angles each mounted with an enamel plaque decorated with an urn of flowers in an interior and surrounded by swagged drapery and headed by foliage and with a further urn finial to each side, these urns enclosing a stepped cylindrical interior, above repoussé drawers with balustrades, on splayed fluted angled stepped feet, the movement with chain fusees, rack strike and anchor escapement, with securing clamp to backplate engraved with scrolls, garlands and Prince-of-Wales feathers, the back door formerly mirrored, the enamel signed and dated W.H.Craft Invt et Fect. 1785 21¼in. (54cm.) high; 18in. (46cm.) wide

Details
A GEORGE III ORMOLU AND ENAMEL MANTEL CLOCK, the oval enamel dial by William Hopkins Craft and the movement attributed to William Parr, the circular Roman-chaptered dial within a florally-garlanded laurel border and standing on a fluted column beside a figure of Peace in a classical architectural capriccio and a landscape extending beyond, at base a discarded torch and quiver beside two doves and two putti holding a scroll detailing the proportion of the National Debt incurred in connection with the American colonies, the dial in a rectangular repoussé frame with rounded upper angles and a laurel border, surmounted by a twin-handled urn with detachable cover and gilded interior, the angles each mounted with an enamel plaque decorated with an urn of flowers in an interior and surrounded by swagged drapery and headed by foliage and with a further urn finial to each side, these urns enclosing a stepped cylindrical interior, above repoussé drawers with balustrades, on splayed fluted angled stepped feet, the movement with chain fusees, rack strike and anchor escapement, with securing clamp to backplate engraved with scrolls, garlands and Prince-of-Wales feathers, the back door formerly mirrored, the enamel signed and dated W.H.Craft Invt et Fect. 1785
21¼in. (54cm.) high; 18in. (46cm.) wide
Provenance
The Lockhart family, Lee Castle, Lanarkshire, Scotland
Purchased with Lee Castle by the vendor's father in 1936

Lot Essay

William Hopkins Craft (circa 1730-1811) was possibly the brother of Thomas Craft, a painter at the Bow porcelain factory. William Craft was a painter and miniaturist in enamel, exhibiting mainly allegorical subjects at the Royal Academy from 1774 to 1781 and from 1794 to 1795. Sometime in Paris, he was later in partnership with David Rhodes for several years from 1768, when they were both employed by Wedgwood. He must have died poor, for in old age he was admitted to the Charter House. he died in 1811 and the Gentleman's Magazine recorded his death, 'Aged 80, mr. Craft, formerly a Painter, but latterly on the Establishment of the Charter House. He was suddenly taken ill on Clerkenwell Green, and being taken home in a coach expired on entering his apartment.
This clock seems to be part of a small group incorporating enamel plaques by Craft, variously dated, contained in similarly decorated gilt-metal cases with mirror backs. This clock appears to be the mirror image of one traditinally given by george IV to Frederick Malleson, the gardener at Claremont, and which was sold anonymously, in these Rooms, 2 May 1979, lot 144. The enamel palque in its front is the reverse of that in this clock and it incorporated a movement of the sam type, almost certainly by the same maker. Its movement was signed Parr, Watch and Clock Maker, No. 20 Strand, presumably for William Parr, who published 'A Treatise on Pocket Watches'.
The second clock of the group is one dated 1779, on which the enamel plaque symbolised England as a colonising power, and which is in the Sandoz collection, now at Château des Monts, Le Locle, Switzerland (Catalogue, no. 3)
The third, signed Invented 1773, finished 1796 was brought nack from China in 1925 by Dr. Loup of Lausanne, amd it incorporates an allegory of the liberated New World being encouraged in the pursuit of freedom by the Old.
The scroll on this, and the clock sold in 1978, reads:
North America discovered 1497
War with Spain from 1739 to 1748
28,414,057
War with France from 1755 and
War with Spain from 1762 to 1763
54,831,132
War with France, Spain, Holland
and America terminated 1783
108,139,982
Debt on Acct of America
191,685,171
Debt before 1783
46,314,829
National Debt 1783
238,000,000
Parliament of Great Britain
Declare the American Rebels
and in 1783 Acknowledge them Independent!!!

Thought the political settlement was concluded fairly soon after Yorktown, the financial settlement that followed the secession of America dragged on and was not completed until the 1790s. Despite its depiction of 'Peace', it seems that the present clock is advocating a strong stand on the colonists' outstanding financial liberties,

More from English Furniture

View All
View All