A GEORGE II MAHOGANY SIDE CHAIR in the manner of Giles Grendey , the pierced cartouche-shaped back carved overall with foliate scrolls, rockwork and cabochons, the toprail with confronting eagle's heads above a stylised shell, the padded drop-in seat covered in green velvet, the shaped foliate apron centred by a flowerhead and on cabriole legs headed by bearded masks, on hairy claw-and-ball feet

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A GEORGE II MAHOGANY SIDE CHAIR in the manner of Giles Grendey , the pierced cartouche-shaped back carved overall with foliate scrolls, rockwork and cabochons, the toprail with confronting eagle's heads above a stylised shell, the padded drop-in seat covered in green velvet, the shaped foliate apron centred by a flowerhead and on cabriole legs headed by bearded masks, on hairy claw-and-ball feet

Lot Essay

The design of this chair, with its ribbon-fretted back, displaying Venus' scallop-shell badge, united with bacchic lion feet and festive satyr masks, relects the George II 'picturesque' style introduced in the early 1740s by William de la Cour's Book of Ornament. A related suite of chairs, now at Stourhead, Wiltshire, has been identified with a payment made in 1746 by Henry Hoare (d.1785) to Giles Grendey (d.1780), cabinet-maker and chair-maker of Clerkenwell (see: R. Dodd, Stourhead, London, 1992, p. 21). An intriguing chair at Sir John Soane's Museum also has satyr-masks accompanying bacchic-lion rather than goat feet (see: R.W. Symonds, 'Furniture in the Soane Museum', Country Life, 27 January 1950, pp. 220-221)

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