FROM A PRIVATE EUROPEAN COLLECTION
Max Ernst (1891-1967)

Details
Max Ernst (1891-1967)

Fiat modes, pereat ars, Schlömilch-Verlag, Cologne, 1919 (Spies/Leppien 7)

pen-lithographs, 1919, on firm tan wove paper, title page and the very rarethe set of eightplates, the title bearing the imprint Museumausgabe No. (number not inscribed), presumably the full sheets as published, the title page with one or two tiny repairs at the edges, the plates with one or two handling creases and traces of surface dirt at the extreme sheet corner tips, generally in remarkably good condition, loose as issued in original yellow paper wrappers, with blue-green title label on front, some defects, the wrappers laid onto yellow card
overall S. 18 x 13 1/4in. (46 x 33.5cm.)(portfolio)

Lot Essay

Fiat modes, pereat ars (Long live fashion, down with art) is Ernst's first lithographic work, and exemplifies his early resolution of the collage process with the traditional technique of lithography. It was the first Dada work to be commissioned by a civil authority. As his acknowledged homage to de Chirico, Ernst assembled in the eight plates of Fiat modes images from his own new repertory of commonplace pictures and combined them with visual paraphrases from Picabia, Carlo Carrà, and de Chirico himself. Although Fiat modes was hailed in the spring 1920 issue of Baaargeld and Ernst's Dada periodical Die Schammade, it was a marketing failure. Supposedly published in an edition of sixty, the blatantly anti-bourgeois Fiat modes found few buyers among either the customary collectors of original prints or the far fewer supporters of Dada activities. According to Spies/Leppien, Ernst later destroyed most of the edition, so that today complete portfolios are extremely rare

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