A REGENCY ORMOLU AND GILT-LEAD MOUNTED SIMULATED ROSEWOOD SOFA edged overall with ropetwist mouldings, the rectangular padded back, curved arm-rests and squab cushion covered in crimson silk, the arms with scrolled front-supports mounted with an inset palmette and with vine-spandrels, the seat-rail centred by a laurel-wreath and with bullion fringe, on lyre-shaped legs mounted with palmettes and on splayed feet

Details
A REGENCY ORMOLU AND GILT-LEAD MOUNTED SIMULATED ROSEWOOD SOFA edged overall with ropetwist mouldings, the rectangular padded back, curved arm-rests and squab cushion covered in crimson silk, the arms with scrolled front-supports mounted with an inset palmette and with vine-spandrels, the seat-rail centred by a laurel-wreath and with bullion fringe, on lyre-shaped legs mounted with palmettes and on splayed feet
83¾in. (213cm.) wide; 32½in. (85.5cm.) high; 29½in. (75cm.) deep
Provenance
Supplied to William Harry, (d. 1842), 3rd Earl of Darlington and subsequently 1st Marquess and Duke of Cleveland, for the Drawing Room, now the South Drawing Room, at Raby
Recorded in the Drawing Room in the 1842 inventory of Raby

Lot Essay

The gilt-enriched mahogany settee, designed in the early 19th Century 'antique' style in the French manner, is embellished with scrolled and palmette-wrapped truss supports to the arms, which are capped by Grecian acroteria, palmette-enriched feet with scrolled capitals and seat-rail centred by poetic Grecian-wreath tablets. The capital pattern derives from Thomas Hope's Household Furniture and Interior Decoration, 1807, pl.XXIII, while the arm pattern later featured on a settee illustrated by P. and M.A. Nicholson in their Practical Cabinet-Maker and Upholsterer's Guide, 1826. The bold antique character of its ornament also relates to seat furniture such as that supplied by Messrs. Morel and Hughes for Northumberland House, London 1823 (see F. Collard, Regency Furniture London, 1987, pl. 12)

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