A PAIR OF REGENCE GILDED BROWN TORTOISESHELL PORTRAIT MEDALLIONS after the medals by Guillaume Dupré, shown in silhouette, one depicting Henri IV in ceremonial armour with a laurel-wreath, the other depicting Maximilien de Bethume, duc de Sully with ruff collar on a pounced ground, on a later red silk-velvet stand

Details
A PAIR OF REGENCE GILDED BROWN TORTOISESHELL PORTRAIT MEDALLIONS after the medals by Guillaume Dupré, shown in silhouette, one depicting Henri IV in ceremonial armour with a laurel-wreath, the other depicting Maximilien de Bethume, duc de Sully with ruff collar on a pounced ground, on a later red silk-velvet stand
4 1/8in. (10.5cm.) diam. (2)
Literature
COMPARATIVE LITERATURE
F. J. B. Watson, Wallace Collection Catalogues: Furniture, 1956, F391, F392, pp. 206-207
L. Forrer, Biographical Dictionary of Medallists, New York, 1904 (reprint 1970), pp. 463-467
P. Hardwick, Discovering Hora, Guildford, 1981, pp. 99-101, illustrated on p. 117
M. Jones, A Catalogue of the French Medals in the British Museum, vol. II 1600-1672, London, 1988, no. 20, pp. 37-47, 67

Lot Essay

The present reliefs of Henry IV and his Minister of Finance and Agriculture, Maximilien de Bethume, duc de Sully appear in gilt-bronze on a pair of pedestal cabinets in the Wallace Collection, London (Watson, loc. cit.). The portrait of Henri IV is from a well-known original by the French court sculptor Guillaume Dupré (Jones, op. cit., no. 20, p. 67), and the pendant is described as from the 'school of Dupré'

The existence of these reliefs in gilded tortoishell is extremely unusual but can be related to the work of artisans who produced pressed reliefs in horn in the late 17th and early 18th century. Among these craftsmen the best-known exponent was perhaps John Obrisset, a Frenchman of Huguenot extraction whose family moved to England after the Revocation of the Edict of Nantes in 1693. The signed horn box incorporating a portrait relief of Charles I after the medal by John Roetiers is a relevant comparison (Hardwick, op. cit., illustration on page 117)

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